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Title :

As in Ovid, so in Renaissance art

Author :
BAROLSKY, Paul ;
Publication year :
1998
Language :
English ;
Abstract :
This essay is a prolegomenon to the general study of Ovid's relations to Renaissance art and art theory. As is well known, the Metamorphoses determined the subjects of numerous works of art during the Renaissance. What is not sufficiently appreciated, however, is the extent to which the ancient poet's sense of 'metamorphosis' as a figure of poesis, making or 'poetry,' helped shape Renaissance notions of poetic transformation in the visual arts. The emergent taste for the non finito in the Renaissance, most notably in the work of Michelangelo, had important roots in Ovidean aesthetics. ;
Pagination/Size :
12 ill. ;
Topic :
530 - BIBLIOGRAPHIE D'HISTOIRE DE L'ART ;
French keywords :
Art ; Inachevé ; Influence ; Italie ; Michelangelo Buonarroti, 1475-1564 ; Métamorphose ; Métamorphoses ; Ovide (Publius Ovidius Naso), 43 av. J.C.-v.17 ap. J.C. ; Poésie ; Théorie de l'art ; 1400-1600 ;
Descriptors :
Art ; Art theory ; Influence ; Italy ; Metamorphoses ; Metamorphosis ; Michelangelo Buonarroti, 1475-1564 ; Ovid (Publius Ovidius Naso), 43 B.C.-ca.17 A.D. ; Poetry ; Unfinished ; 1400-1600 ;
Document type :
Article ;
Source :
Renaissance quarterly, 1998, 51, 2, summer
INIST identifier :
24993265 ;
ISSN :
ISSN 0034-4338 ;
Provenance :
Bibliographie d'Histoire de l'Art ;
Publisher :
Renaissance Society of America, New York, NY
Publisher country :
UNITED STt>
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